Our Word of the (Memorial) Day courtesy of Peter Black
Writer. YouTuber. Poet.
We reside in dwellings built to withstand the elements, the many guises of the Big Bad Wolf. Whatever the exterior materials — brick, stone, wood, thatch — we craft our personal homes out of possessions purchased expressly for, or carted from previous homesteads in hopes our past will puzzle-piece into our present. We stuff our places with stuff, we recycle, we acquire more, we Spring Clean, we donate, we pack away, we store in closets, garages, attics.
In more extreme moments, watershed moments, we move stuff into storage, pay rent for our stuff to remain incarcerated in buildings constructed solely for the purpose of housing the undesirable, the excess. The unmanageable, managed.
A whole economy of storage. Off-site. Out of sight. Out of mind.
The things we cannot let go of but cannot live with, the mental images of which contract or expand in proportion to emotional associations with the raison d’etre — downsizing, travel, divorce, relocation, death — and your present circumstances. Whether your life today is better or worse than the one you pack away.
You assure yourself it is only temporary. “Temporary” drags into “interim solution”, lags there. You wax philosophical on the nature of ownership. You recall with fondness, or you mourn, the life you had, the times when you and your stuff lived together in harmony, before the discord, before the circumstances, before this, before now.
You exchange vows with yourself to lead a more simple life, pare down to the essentials.
Despite these intentions, you accumulate more, new trappings devoid of old memories. Necessary stuff, at the point of purchase, the stuff you need just shy of the stuff on hand. This new, virgin stuff is defiled by guilt, becomes simply another thing you have.
You flirt with thoughts of destruction, the stuff slate wiped clean, a fresh stuff start, before a natural disaster occurs — hurricane, tornado, flood — and you panic, desperate to hold on to the physical pieces of your former self. Your personal effects will not be swept away by circumstances beyond your control, you alone will determine their fate.
A major milestone, an urge to purge, some external event spurs you to rip open boxes, burrow into crushed newspaper — How will we pack up our lives when paper is extinct? Will there be an app for that? — unearth once-vital kitchen gadgets, obsolete electronics and their snaking cords, stacks of holiday photo cards with their ghosts of kids Christmases past hallmarking progression towards awkward adolescence when the documentation ceases. A letter, handwritten, smudged, perhaps the last you received, a token of a bygone era, a sender otherwise unremembered.
Fewer opportunities to browse through, stumble upon memories as ever more stuff is uploaded to “the cloud” — a wispy metaphor, prone to huffs and puffs — a new storage economy, a new set of fees to release you from responsibility for the stuff formerly held in or on paper, albums, disks, tapes. You collect new stuff to fill the empty shelves.
Physical totems, substantiations of memory. Weighty as memory. Experiences, tastes, aspirations made manifest. Our stuff, our selves.
“straw” was built with the assistance of a creamy Counter Culture Almond Latte amongst the indoor foliage at Rosella coffee shop (lower east side), a Classic Manhattan (and a trio of the happiest Happy Hour raw oysters in town) at Black Crescent just a block or so south (lower east side) and edited with a refreshing Reyezuelo at The Wren (bowery). Apparently straw stories require a bevy of beverages.
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